Over the weekend, for Shure, the MVPs of Super Bowl LVII were the veteran audio engineers and sound technicians. They managed the broadcasts of the game as well as the NFL Honors. And they did so with the support of Axient Digital Wireless Systems and PSM 1000 Advanced In-Ear Personal Monitoring Systems. As a result, the team delivered flawless audio to a record-setting 113 million viewers worldwide, says Shure.
ATK Audiotek and Professional Wireless Systems (PWS) handled all wireless microphones and IEM systems for the pre-game entertainment, halftime entertainment and referees. The systems also handled the NFL Honors broadcast. The team included broadcast mixer Tom Holmes, monitor mixer Tom Pesa, RF engineers Cameron Stuckey, Kasey Gchachu, and Gary Trenda, RF team lead for CP Communications, Loren Sherman. Together, with a vast team of A2s, they expertly managed the audio of the Super Bowl’s most unforgettable moments.
Shure’s Reign at Super Bowl Continues
L to R: Gary Trenda, Cameron Stuckey and Loren Sherman
“Once again, the reigning Super Bowl champ for in-ear performance was PSM 1000,” says Tom Pesa. “I used Shure Wireless Workbench to monitor levels. For the pregame, all three performers wore in-ears, including Chris Stapleton, who normally does not. With the two live guitar mics and live vocal, along with Chris’ slowly building and poignant rendition of our National Anthem, PSM 1000 [emerged as] the right choice for the reverberant stadium.”
The RF team depended on eight AD4Q four-channel wireless receivers and the recently introduced AD600 Axient Digital Spectrum Manager. For another year, ATK used Axient Digital with Quadversity, a patented Shure technology. With this, they could leverage four simultaneous RF inputs to feed a single RF channel. Quadversity can extend the coverage area of a microphone channel or enable multiple coverage areas with additional antenna inputs. This made it ideal for challenging RF environments like State Farm Stadium.
“It’s hard to picture doing the Super Bowl without using Axient Digital,” adds PWS’ Cameron Stuckey, RF engineer. “The ability to operate in Part 74 exclusive spectrum with the range of capsules, WWB monitoring, and familiarity of Axient Digital is unequaled. We are using every feature that sets it apart to the fullest extent possible. Each year we continue to push our wireless systems; and have come to rely on Axient Digital’s ability to deliver.”
Delivering A Flawless Pregame Performance
During the pregame, Sheryl Lee Ralph, singer and star of ABC’s “Abbott Elementary,” delivered a historic performance of “Lift Every Voice and Sing.” For this, she used a Shure KSM9 condenser microphone capsule on an Axient Digital ADX2 Frequency Diversity (FD) enabled wireless transmitter.
Lee Ralph’s rendition of the song — regarded as the Black National Anthem — marks the first time of the song in an official capacity on the Super Bowl field. Shure’s Frequency Diversity technology guaranteed this important performance remained uninterrupted in the extreme RF environment. To do so, it simultaneously transmitted two independent frequencies. The RF engineers also depended on the command and control of Axient Digital with ShowLink. As a result, it enabled real-time, instantaneous remote control of transmitters throughout the stadium.
Additionally, a Shure Axient Digital bodypack transmitter helped capture Babyface’s guitar performance of “America the Beautiful.” Meanwhile, a separate Shure ADX2FD delivered the R&B star’s vocals to the stadium and fans around the world. The DJ performances and choreography at the stadium also relied on Shure SM58 microphones with ADX2 transmitters.
Stunning Audio at Halftime
At halftime, the team relied on Shure PSM 1000 advanced in-ear personal monitoring systems to deliver audio to performers throughout Rihanna’s exhilarating montage of hits. “For halftime, eight transmit mixes were used and 35 receiver packs, which included 21 for core dancers on stage and aerial platforms. The coverage zone [included] the entire field, as well as the almost 80 feet that Rihanna flew at her highest peak. But, of course, when testing and walking ears for coverage, you could go almost anywhere in the bowl of the stadium. They just work that well. I truly believe that Shure PSM is one of the only brands that could function in the toughest frequency coordinated event that is Super Bowl,” says Tom Pesa.
Image courtesy of Shure.
Referees also used two Axient Digital ADX1 bodypack transmitters working together in Frequency Diversity mode. These then paired with Shure’s premium subminiature TL47 model TwinPlex omnidirectional lavalier microphones. Omnidirectional lavaliers are typical in controlled audio environments like theaters. However, TwinPlex suited perfectly for this stadium application. The reason being the lavalier microphone’s ultra-pristine, natural response and off-axis consistency.
Experts at CP Communications, with pre, half, and postgame show support from Digital Black, executed portions of the audio for the FOX broadcast. This included sideline reporters Erin Andrews and Charissa Thompson’s use of ADX2 mics with talk switches and Shure PSM 1000 as IFBs, as well as parabolic microphone AD1 transmitters.
Mike Stock, freelance A1, mixed the audio for the pre, half and postgame broadcast of Super Bowl LVII. When the Kansas City Chiefs claimed victory, FOX Sports reporters captured their celebratory conversations on Shure ADX2FD transmitters across the field. Here, CP Communications helped manage the RF.
Also Read: Super Bowl LVI Delivers Quality Sound with Shure Technology
Monitoring the RF Environment
Image courtesy of Shure.
Marc Martignetti, RF lead and owner of Digital Black, and Ryan Stotts, freelance RF A2, trusted Shure Wireless Workbench to monitor RF inside and outside the stadium throughout the pre, half and postgame of Super Bowl LVII. Stotts and Martignetti managed the RF for all desk mics throughout the FOX broadcast. Hosts Curt Menefee, Jimmy Johnson, Howie Long, Michael Strahan and Terry Bradshaw also used Shure ADX2 transmitters. Notably, talent also wore Shure ADX1 bodypacks for backup and all stand-up segments.
“For the Super Bowl, a huge challenge is the available spectrum versus the tremendous wireless counts needed for onsite users,” remarks Martignetti. “Shure has wireless microphone and in-ear products that cover all our legal spectrum options. That helps meet our client’s ever-expanding needs for more wireless to support their on-air talent.”
Outfitted by experts from CP Communications, the NFL Network Desk (NFLN) heavily relied on Shure wireless. In total, the NFLN hosts had 14 ADX2FD transmitters with talk switches, as well as 12 channels of PSM 1000. “NFLN has requested and used Axient Digital for the last few years on all events due to their flexibility and reliability,” adds Brian Ready, systems engineer at CP Communications.
Elevating the NFL Honors Awards
Once again, the NFL Honors Awards relied heavily on Shure gear for the show’s live audio and broadcast during Super Bowl LVII. The handheld microphones used for NFL Honors were all Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone. The host and award show participants also relied on a mix of Shure AD1 and AD2 transmitters.
“It was a pleasure to use Shure Axient Wireless mics on this year’s NFL Honors, televised live on NBC,” says Larry Reed, production sound mixer for the NFL Honors broadcast. “The reliability of Shure Axient is very important on a live broadcast; and I especially like the KMS8 capsule for all the vocals….I like how smooth the KSM8 sounds, and its off-axis rejection makes it easier to use out in the audience, in front of the house PA.”
