What You Should Know:
- dBTechnologies introduced the OPERA NONA Series in dual-10-inch (OPERA NONA 210) and dual-12-inch (OPERA NONA 212) models
- Both cabinets use a quasi-three-way coaxial acoustic design with a Class-D amplifier rated at 1,000 watts RMS and 2,000 watts peak.
- Each model includes two balanced combo XLR/TRS inputs and an eight-position rotary DSP control with seven application presets.
- The polypropylene enclosure supports two floor-monitor positions, so a single cabinet works as a main speaker or wedge.
- OPERA NONA 210 reaches 131.5 dB max SPL and weighs 42.3 pounds. OPERA NONA 212 reaches 132.5 dB max SPL and weighs 49.6 pounds.
- Both models are designed and manufactured in Italy for the U.S. market.
What Did dBTechnologies Announce?
dBTechnologies introduced the OPERA NONA Series, an artist-focused addition to its OPERA loudspeaker family. The series arrives in two active models, the dual-10-inch OPERA NONA 210 and the dual-12-inch OPERA NONA 212. Each pairs dual woofers with a coaxial mid-high section and adds a two-channel onboard preamp, direct source connectivity and two monitor positions. Both models are designed and manufactured in Italy for the U.S. market.
What Makes the OPERA NONA Different From Other OPERA Models?
The OPERA NONA slots in as the mid-level OPERA option built around acoustic detail and real gig functionality. The original three OPERA models continue as straightforward two-way loudspeakers, while the OPERA REEVO 210 and 212 remain the lighter weight, wide-dispersion, high-output choice for rental, event and installation work. dBTechnologies designed the NONA for musicians, DJs and portable PA users who want to connect a source directly to the cabinet.
How Does the Acoustic Design Work?
The OPERA NONA uses a quasi-three-way configuration that pairs two low-frequency drivers with a new true coaxial high-frequency section. The system crosses over at 1,900 Hz and produces a 90-degree by 60-degree coverage pattern. That more controlled dispersion supports portable systems in tighter rooms, on compact stages or in spaces where energy needs to stay off nearby walls and performance areas.
What Connectivity Does the OPERA NONA Offer?
Each NONA cabinet carries two balanced combo XLR/TRS inputs with independent level controls. Channel 1 accepts mic or line signals, and Channel 2 accepts line signals or a high-impedance instrument source. A balanced XLR output carries either a direct Channel 1 link or the complete onboard mix, so a performer can connect a microphone and instrument, set levels at the cabinet and feed a second loudspeaker without adding a mixer.
How Does the DSP and Amplification Perform?
The OPERA NONA runs linear-phase FIR processing at 24-bit/48 kHz with an eight-position rotary DSP control that offers seven application presets: Club, Vocal, Bass Reduction, Playback, Bass Boost, Wedge Vocal and Wedge Playback. That layout places main-speaker and floor-monitor voicings on the same direct control without menu navigation. The Class-D amplifier supplies 1,000 watts RMS and 2,000 watts peak through an auto-range power supply, with a two-amplifier design sending 500 watts RMS to each section. Peak, RMS and thermal limiters protect the system as levels and program material change.
How Do the OPERA NONA 210 and 212 Differ?
The OPERA NONA 210 and 212 separate on driver size, output and low-frequency reach. The OPERA NONA 210 uses two 10-inch woofers with 2.5-inch voice coils, reaches 131.5 dB max SPL and covers 55 Hz to 20 kHz at -10 dB. It weighs 42.3 pounds and suits vocals, instruments, smaller event systems and monitor duty.
The OPERA NONA 212 uses two 12-inch woofers with 2.5-inch voice coils, reaches 132.5 dB max SPL and extends from 48 Hz to 20 kHz at -10 dB. It weighs 49.6 pounds and targets full-range playback, DJ systems, larger rooms and main-speaker use. The dual-10-inch configuration provides 39% more low-frequency radiating surface than a single 12-inch woofer, while the dual-12-inch configuration provides 28% more than a single 15-inch woofer.
What Mounting and Accessory Options Are Available?
The polypropylene enclosure supports two floor-monitor positions, giving performers a choice of aiming angles for different stage distances and listening spots. Three integrated handles, two at the sides and one at the top, support frequent load-ins, and a 36 mm pole socket plus three M10 fixing points come standard.
The optional WB-NONA bracket supports horizontal or vertical mounting, extending the platform into side-fill, delay, school, worship, community-venue and light installation work. Protective rain covers and the SK-36TT speaker stand kit are also available.
